Within the last decade, I have discovered a new hobby: cemetery walking which makes me a taphophile. This has taken me to many spots (though not yet international travel for it) around the area and in other states– it might be a quick stroll or it might be an early morning intensive. I’ve completed a cemetery crawl. I read books about them. And this past week, I finished a four week course on cemetery symbolism. Excitingly, I had signed up for the course before realizing that the book Grave from the series Object Lessons was written by the same person that would be running it. Needless to say, I knew I was going to nerd out. And nerd out I did.
And one cemetery that came up often in the discussions was Pere-Lachaise. It’s basically the mecca of cemeteries so imagine my excitement when I received a copy of the book The Secret Life of a Cemetery: The Wild Nature and Enchanting Lore of Pere-Lachaise by Benoit Gallot. This insightful mix of biography of Gallot’s residence inside Pere-Lachaise as an administrator (where he both works and raises his family on premises), cemetery history, and homage to the ecosystem that exists inside this one, and others, if you choose to see it. What started with a picture of a kit fox walking the grounds on his social media became the book about more than just the fox.
It’s a call to taphophiles like me to book travel to Paris and spend all my time walking the 110 acres.
Years back, our high school library celebrated the national Free Comic Book Day on the Monday following the nationally-celebrated first Saturday in May event.
It began when a comic nerd named Jay was interning with a social worker at our school and asked about helping kick one off and it slowly grew from there. Even after he was gone, he would return to help whether bringing tabletop games, and ideas to introducing me to people in the field who could also contribute. He’s about bringing people together over comics and he writes about it in magazines and on websites like this 2022 article called Why Buying Your Kids More Comic Books Can Benefit Their Mental Health for Inside Hook.
Then the pandemic hit and like many events, it fell by the wayside until this year. We were going to be hosting Steve Sheinkin as our author visit about a month before Free Comic Book Day and I wanted to make the connection between his award-winning Bomb being turned into a graphic novel and his Rabbi Harvey comics to comics in general whether our high schoolers were already fans or not. It’s as much about exposure for a new group of comics lovers as it is a place to connect for tried-and-true comics lovers.
Jay again stepped up when I reached out because I had mentioned wanting to do a panel or have experts on hands during our lunch shifts. Then we’d have passive activities (and a few active ones) surrounding the learning.
I worked with my Japanese Culture Club to design the activities and then invited classes from departments like art to take part. They heeded the call and brought down classes to learn from our panelists who ranged from a comics shop owner to an illustrator of several graphic novels who I was surprised to learn was local. The others were collectors since childhood, an independent publisher of comics, and contributors to the comics field in other capacities. But more than that, the students sat down and decoupaged a coaster from old comics, worked on a Marvel puzzle, and helped add pages to our pop-up zine.
We’re happy that these moments were captured by professionals in our district’s Communications department and shared with the school community. The smiling faces holding comics. The serious focus while creating their art. The intense language of a gaming tournament after school. Even though it was a long day setting up and breaking down, soaking up their enthusiasm is what keeps all of us in education young.
You know what the trouble is with stunning books like Kate Messner’s The Trouble With Heroes that dropped yesterday?
It makes people like me stay up past my bedtime to finish it.
It’s been a few years since I decided to forgo sleep on a school night so that I could finish a book, but I do remember those books that compelled me to do so in years past: The Serpent King by Jeff Zentner, The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee, Murder Among Friends by Candace Fleming.
But back to Kate Messner’s mesmerizing middle grade with a little story about the full-circle moment of completing it ahead of the New York State Library Association’s School Librarians Conference happening in Rochester this week. Because last year at about this time, the conference was in Lake Placid and Kate Messner was the keynote closing lunchtime speaker on Saturday. Regaling the audience with stories about her curious discoveries that become series like the History Smashers, she talked about the project she launched with a stellar cast of authors– a series of chapters books called The Kids in Mrs. Z.’s class, and she shared mockups of the cover of the yet-to-be-released The Trouble with Heroes; she asked the librarians which cover we liked best. When I saw the advanced copy available on Netgalley, I quickly requested it, but I know myself. I know that when I’m really excited about a book, I (oppositely) avoid it as long as possible because then when it’s read, I can’t go back and read it for the first time. Ever. Again.
This is the case with The Trouble with Heroes. I had read a few pages about a week ago. I had already made notes to myself and highlighted moving quotes. And I told myself. I have to prolong it until I realized the publication date was April 29th and it has had so much buzz that I thought, I’m going to dive in. And that’s just what I did. How easy was it to get lost in Finn’s story– a seventh grader who makes a bad decision, but instead of a strict punishment, the adults around him know that he needs nature healing after the death of his father– a man who was forever memorialized as a hero on September 11th saving a woman. A man who was haunted by the demons of that day. Who then was a paramedic in the city for years including the recent pandemic. What a tough time to be in healthcare. Yet he always had the Adirondacks.
Astute readers know that Messner herself is a 46er, a person who has summited all 46 High Peaks of the Adirondack Mountains. It would be assumed, she wanted to write a bit of a love letter to this journey that’s physical as well as spiritual for many who set that goal.
Now Finn will be hiking them, many of them with a drooling, hairy sidekick, Seymour the dog pictured on the cover, and a cast of mentors who summit with him. I can wax poetic about the storytelling, the humor, the character development, the setting, the message but I will not because I will tell you: read it yourself. Everyone deserves an experience like reading Messner’s stunning story, both kid and adult. I will however share a favorite page of verse (from the advanced copy) that’s another “trouble” with The Trouble with Heroes— and that’s that it’s too poetic for its own good:
Too Much Time to Think
The trouble with long hikes
is that your brain has to come with you
and on the way back when you’re trudging
the last muddy miles,
it has plenty of time to think about stuff
like metaphors.
That May after Mom and I moved back,
she and Gram had figured out
how to handle pickup orders from the shop.
I was making deliveries on my bike
and riding around in the sunshine was pretty okay.
I’d just gotten home when the phone rang.
You know the call I’m talking about.
I’m not going through it again.
Except to say it felt like that spot
in the brook where the rocks fell away.
Like I was falling
and falling,
heart sinking, stomach twisting
never saw it coming.
I should have.
But I didn’t.
Later today I’ll be stopping by my local indie bookstore to purchase two copies. One to keep and one to give to a kid I know should read it. I’ll also be adding several copies to the shelves of the school library I work at. Do yourself a favor. Support Messner by doing the same. Your kids will be better for it. And we want Messner to keep writing.
Spring break is around the corner for us here in upstate New York and it’s not that I’ve worked excessively hard these last few weeks, but it will still be nice to not have to show up to my day job for a week to rest and recalibrate (read: still do work for other job-y things but also find time to drink copious amounts of tea and tackle my TBR mountain). Here are a few highlights from the last few weeks:
Presented two full-day workshops back-to-back on new books with my presenter extraordinaire, Stacey, halfway across the state.
Had an author visit at our high school– fourteen years and running! It’s always stellar to walk away from the day knowing that students had new core memories created by making connections and learning a few things along the way.
Celebrating School Librarians Day by sending well-wishes to school librarian friends of mine near and far last Friday while gearing up to talk libraries for National Library Week this week.
Still trying to read all the books all the time. My Netgalley TBR is immense, I culled copies from my TBR shelves in my studio, and (unsurprisingly) a bevy of audio holds arrived from the public library all at once that I must address.
Representation matters. And in the case of books for teens in which the teen has a rare illness, it stands as a mirror or window for a reader. Now more than ever, books are being published featuring characters with autism, anxiety, and depression, all more common especially in 2025, but what about rarer illnesses such as Crouzon syndrome or Ehlers Danlos Syndrome or spinal muscular atrophy? I’m happy to report that there are stories, and fabulously written stories at that, about rare illnesses.
I got to thinking about this yesterday afternoon having finished the book I Am The Cage by Allison Sweet Grant that was published last week. In it, nineteen year old Elisabeth is slowly revealed to have had intense medical trauma growing up as a result of leg length discrepancy. And then I remembered other books that I’ve read and enjoyed sharing with teens with similar rare illnesses.
Four additional fictional stories include the graphic novel Stars In Their Eyes by Jessica Walton and Aska featuring Maisie who is an amputee. Breathe and Count Back From Ten by Natalia Sylvester whose main character Veronica has hip dysplasia. The fifth book in the Teen Titans graphic novels called Starfire includes Kori who has Ehlers Danlos Syndrome. And in Jawbreaker by Christina Wyman, Max struggles with the pain and possible surgery for her Class II malocclusion.
Then there are the autobiographies. As a lover of this category and whose high school library features a massive collection of amazing ones, I am always on the lookout for addition spectacular stories. And the first one, Shane Burcaw’s Laughing At My Nightmare holds a special place for me as I was able to booktalk his second book Strangers Assume My Girlfriend Is My Nurse at a Macmillan breakfast many years ago and then met both Shane and (then girlfriend, now wife) Hannah at a dinner during that conference. Burcaw has spinal muscular atrophy. And if you’d like a fictional YA title with a character who also has it, I highly recommend Chaz Hayden’s The First Thing About You.
One I often recommend is Ariel Henley’s A Face For Picasso, who spent her teen years under the knife (along with her twin sister who also has it) to provide symmetry to her face having been born with Crouzon syndrome and realizing what she needed versus what she wanted. Another that I share regularly and quote from regularly is Zion Clark’s (along with James S. Hirsch) Work With What You Got, a sports autobiography which rounds out his life, and fame, thus far after being born with caudal regression syndrome.
Of course there are more, however these nine are solid stories that I hope you pick up if you haven’t already.
Yesterday I read Ibi Zoboi’s newest book (S)kin that came out about a week ago. She writes the story in verse and specifically as readers get to know Genevieve and Marisol, Zoboi works her magic with the format in an ingenious way. It got me thinking about how much I adore the verse novel format when it’s done right. It puts the emotion front and center because it does not rely on words alone to tell the story.
I remember when Ellen Hopkins broke onto the scene with Crank, but the verse novel that (S)kin is most similar to is Identical by Hopkins: two perspectives of the twin teen girls and as the story switches between each of them, their thoughts or words align along the center of the page. It was gold then and it’s gold now to use visual poetry to convey secondary or tertiary layers of meaning.
Another element of verse novels is what I mentioned earlier: emotion. In Three Things I Know Are True by Betty Culley, Starfish by Lisa Fipps, and Louder Than Hunger by Jon Schu, the characters are going through some stuff. And that’s an oversimplification: Liv’s brother shot himself in the head with a gun at a friend’s house but survived though with significant medical issues; Ellie’s self esteem is wrecked by her mother’s insistence on Ellie getting thin; and Jake (based on Schu’s own experiences) suffers the loss of his grandmother which catapults him into an eating disorder so disruptive that it requires in-patient treatment. In all three of these examples, readers empathize intimately with the character’s because there’s a thin barrier between the character and reader when there are fewer words to hide behind. Oftentimes, it’s the lack of words on a page that sucker punches the reader when it’s only one or two in a sea of blank space.
This creative form is a win. I gravitate toward verse novels in the way that teens do too. For pure emotion. It’s said that a picture is worth a thousand words, but it’s also true of a verse novel that does more with less.
Yesterday I spent the first morning of winter break donating platelets, which if you’d done it, means about 2 1/2 hours sitting with both arms immobile. I can’t read a book and while I could potentially listen to an audiobook, I’d just be staring around the room, so I took the opportunity to watch a movie since they provide you with this entertainment. I was prepared to watch a movie I’d been wanting to watch on one streaming service but it wasn’t working so I was on another and saw The Martian available. I had been surprised by my love for the book. I had borrowed it digitally a few years back and was prepared to skim read the science fiction story because it’s not usually my jam. But I was sucked in and ignored other responsibilities one summer day to finish it because I loved Mark Watney’s voice. Done. I’ll watch the movie adaptation.
I’m usually suspicious of movie adaptations but have followed Angie Thomas’ tweet from years ago when the adaptation of her book was coming out and she was inundated with messages about it. She likened a book versus the movie as fraternal twins: they share the same DNA however they are different entities. As the mom of fraternal twins and a bookworm rather than a movie buff, it spoke to me on multiple levels.
Eventually I end up watching most movies that have been adapted but I don’t want a lot of movies in general (I prefer documentaries). And just like the book, I was wowed by the movie. Damon is a fantastic actor and the scenes, dark humor, and immediacy of his situation were wonderfully evocative in the movie.
There have been a few others that I’ve enjoyed similarly: Kristen Stewart’s awkwardness as Melinda in Speak by Laurie Halse Anderson matched. The adorableness of the music and characters in To All The Boys I’ve Loved Before by Jenny Han spoke to me (more) in the movie version than the books. Dumplin’ by Julie Murphy was brought to life with all the confidence of Dumplin herself, Danielle Macdonald.
I had mentioned in my Love: YMAs post a few of my favorite award winners and honorees including John the Skeleton. It’s a quirky book– in part because it’s a translation? Maybe. But also because it’s odd to write about a “retired” science classroom skeleton going to live with a set of grandparents. It got me thinking about how much I enjoy a quirky book– on my Goodreads shelf, they’re called “offbeat”. To me, it constitutes a book that is unlike anything written in topic, style, mood, tone, plot, or characterization. What might be quirky to me, might not be quirky to you, so I’ll let you decide after I highlight five.
Jeffrey Eugenides’ The Virgin Suicides remains in my top five books of all time. I recently reread it and realized just how much I adore the narration of the Lisbon girls’ demise in their house from the vantage point of neighborhood boys. This is in addition to the fact that all of the girls commit suicide by the end of the story and thus lending itself to the melancholy mood that is so direct in so few pages.
Henry Hoke’s Open Throat is another vantage point that’s wholly puzzling– a mountain lion in the hills of Hollywood. Yup. Making scathing work of judging humankind.
David Sedaris wrote and Ian Falconer illustrated Pretty Ugly, a picture book with the goofiest and sweetest twist at the end. The style, the character, the entire premise is quirky but oh so lovely by the time you close the book.
Ian X. Cho’s Aisle Nine made it into the top five finalists for the Morris Award this year. I’ve never read anything with as much zest and disdain for life than Jasper and the alien creature that lives in his apartment with him while he works a dead end job as a supermarket that’s a portal from hell. I couldn’t help but make a puzzled face through most of it with a little Mona Lisa smile.
Jackie Morse Kessler’s final book in her Riders of the Apocalypse series called Breath brought a unique approach to the series in which a contemporary teen embodied a horseman as a way to understand an issue they were faced with.
Lauren Destefano’s Wither was the first in a Chemical Garden trilogy that I got in to. The premise was a medical dystopia with intense characters in an unflattering situation that was creepy and got creepier as the trilogy moved forward.
Love it or hate it, we’re a visual culture. And we do judge books by their covers! I can’t help but stare at evocative book covers. Do you have a favorite? Here are a few of mine:
Dunlap’s debut The Resurrectionist was a recent recommended read and I couldn’t have been more in love with the morbid cover.
When I’m doing readers advisory with my high schoolers, I lead with the breathtaking beauty of this cover of Grown by Tiffany D. Jackson (the recent winner of the Margaret A. Edwards award at the Youth Media Awards).
I spent too much time being eviscerated by Ashley Hope Perez’s Out of Darkness and telling everyone I knew to read it before I bought it so I could own it and stare at a cover that in it’s simplicity summarizes the complexity of human existence and sends shivers down my spine every time I think about Naomi.
Were my eyes playing tricks on me? I didn’t really see this cover until days after I finished it and was staring at it again. Genius connection to the story in Jason Reynolds’ Long Way Down.
Speaking of second takes– both Schwartz’s first book Anatomy: A Love Story and her second Immortality: A Love Story have that creative illusion that highlights the heart and mind of the duology’s intelligent and daring heroine Hazel.
Readers Be Advised 