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Historical Hit

BlankmanDuoA most beautiful and deliciously indulgent two-some: Prisoner of Night and Fog and Conspiracy of Blood and Smoke, so far that focuses on Adolf Hitler’s niece, Gretchen, who goes from a Nazi-following ‘good’ German to a Jew-loving ‘bad’ girl, escaping his grip and Berlin in after multiple mysteries are uncovered and their safety is in jeopardy. Anne Blankman is a phenomenally gifted writer and while I thought the first book was a tad long-winded, the second book had artistically-relevant escapades in writing that I appreciated a bit more than the first.

The largely atmospheric historical picture of World War II on the cusp of Adolf Hitler’s rise to power as dictator is equally character-driven. Gretchen’s wholesomeness coupled with her need for justice and Daniel’s tenacity at uncovering the truth combine for a winning couple, though secondary characters are equally as vivid. In the second book, I can’t help but remember the sight of Gretchen’s mother in the dilapidated house or Daniel’s parents clenching their jaws when Gretchen arrived, or the cafe meetings with Daniel’s informants, or when Hitler makes his appearances.

And the genius that I also see is in the marketing of both the covers and titles, which make it appealing and mysterious. I would recommend this for any historical fiction fan young adult or adult.

 
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Posted by on June 30, 2015 in Miscellaneous

 

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Disappointment

It seemed like I was batting a thousand recently with a string of flops. Does everyone else have those streaks where it seems like every book you pick up just isn’t what you’re looking for in terms of topic, readability, or meeting expectations?

I recently tried Rosamund Hodge’s second, Crimson Bound, after adoring Cruel Beauty. In Crimson Bound, her attempt was Little Red Riding Hood meets the tale, The Girl with No Hands, instead of a creepy, gothic horror with a beautifully-illustrated cover, I felt like all I got was a beautifully-illustrated cover. Likewise, I adored The Paris Wife by Paula McLain but Circling the Sun fell short as another period piece and maybe it was because I tried reading Beryl’s story, West with the Night, and couldn’t engage which is why McLain’s attempt at telling her story fell flat too. And last, a new contemporary YA story, Those Girls by Lauren Saft felt so shallow and toxic that the edgy topic (which I can appreciate it many other YA titles) wasn’t my bag for her attempt.

Maybe in another frame of mind, time, or place, I could have kept with them, but frankly, I know I won’t revisit them because there are too many books and too little time for that.

 
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Posted by on June 24, 2015 in Miscellaneous

 

Repeat

The first time I read To Kill a Mockingbird it was in high school and there was only one scene that engaged me at all and that was the scene where there was a scuffle in the woods. For most of the book I was in2015-06-10 19.09.09different to the writing and situation, whether that was the uncomfortable read-aloud time in class or not, it just wasn’t for me.

Recently though I had a conversation about re-reading books, namely the ‘classics’ that are well-read for a reason: because of universal themes, engaging characters, beautiful language, or historical poignancy to name a few. I had read The Great Gatsby in high school and disliked it also, but re-read it in college and it spoke to me. So I know that time does change things. Who we are as people specifically. Joan Didion wrote “I have already lost touch with a couple of people I used to be” and this is so apt. I’m morphing and changing in leaps and bounds. Finding my voice, making a statement, living out who I am.

With the renewed interest in Harper Lee because of an impending release of a new title, I mentioned that I disliked Mockingbird, but that I would consider re-reading it because of who I am today versus who I was as a self-centered sixteen year old. I’m about to crack open by own copy soon and am eager to discover my feelings for it as an avid reader and adult.

Has an opinion of a book ever changed for you?

 
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Posted by on June 10, 2015 in Miscellaneous

 

Sepetys’ Magic

06.09.2011. WARSZAWA. AMERYKANSKA PISARKA LITEWSKIEGO POCHODZENIA RUTA SEPETYS, AUTORKA KSIAZKI "SZARE SNIEGI SYBERII".  FOT. MAGDA STAROWIEYSKA/FOTORZEPA *** ZDJECIE POCHODZI Z ZASOBOW AGENCJI FOTOGRAFICZNEJ "FOTORZEPA". PROSIMY O DOPISANIE ZRODLA "FOTORZEPA" OBOK NAZWISKA AUTORA OPUBLIKOWANEGO ZDJECIA. ***

Precious.

Ruta Sepetys’ words are what amazes and captures the readers just as vividly as her characters, situations, and history in her soon-to-be-published, Salt to the Sea.

It’s 1945, the world is warring and there are many who are fleeing their homelands in the hope of a rebirth elsewhere. Joana is a nurse with a desire to escape her self-imposed brand as a murderer, Florian is a Prussian who holds secrets that can potentially kill him, Emilia is a Polish girl who’s devastating circumstances have left her needing a savior, whom she finds in Florian, and Alfred is a self-involved but insecure German soldier looking for glory. The four of their narrations brings the book together to share their and others’ fates. Just because others in the story including the cobbler poet, the runaway boy, and the giantess woman are not telling their story, doesn’t mean they are any less a part of the devastating survival tale that is fraught with lies, ambition, sentimentality and longing for the past or their homeland.

There is a painful arc to the story as the characters escape imminent death in one way and find themselves on a collision course for it a second time when they end up on the ship, the Wilhelm Gustloff, as it’s torpedoed by the Russians and thousands perish.

The bond readers develop with the characters as they suffer their fates both death and life are shocking, tragic, and uplifting. The last chapter made me cry. Sepetys is a gifted storyteller weaving the tales of the true experiences and while I appreciate the publisher’s comparisons in the summary, the only one I can agree with is Doerr’s All the Light We Cannot See in it’s depth. There is an accessibility that only Sepetys can do so well targeting both young adults and adults with a tale rich in detail. Images like the pink hat and the amber swan coupled with dead families in their rooms and children being tossed helplessly onto a ship too high to be reached will stay with any reader for a lifetime.

It begs to be re-read.

 
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Posted by on June 5, 2015 in Miscellaneous

 

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Excitement

There are no words- no wait- there are plenty of words. Should I clear my calendar for all of June, make the biggest pot of tea, and pretend like the world doesn’t exist? #bea15 #sljdod15

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Posted by on May 28, 2015 in Miscellaneous

 

Book Expo Ahoy!

The last in New York City for the foreseeable future, I’m super-pumped to spend the day at School Library Journal’s Day of Dialog and then popping over to Book Expo Thursday and Friday. Here were some of my favorite ARCs gathered CarnivalofSoulsfrom the past: Gabrielle Zevin’s Birthright series, Holly Black’s The Darkest Part of the Forest, Poisoned Apples: Poems for You, My Pretty by Christine Heppermann, Melissa Marr’s Carnival of Souls, and The Testing by Joelle Charbonneau.

It’s always awesome to come away with books that leave my hands and wind up in the homes of my students just as much as me getting my hands on them to read them and interact with the authors. I love it all. Can’t wait to tweet it out @librarycrazy.

 
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Posted by on May 26, 2015 in Miscellaneous

 

The Pain Feels So Good

I have been slowly reading Neal Shusterman’s Challenger Deep. Not because it’s awful and I’m postponing ever really finishing it, it’s because it’s so good I don’t want it to end. What books have you spent way too much time reading just because you didn’t want them to end?

 
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Posted by on May 19, 2015 in Miscellaneous

 

Six Sensational

There’s top five and top ten lists galore, so let’s mix it up and do six sensational? Here, I’ll highlight six sensational somethings.

Perhaps we’ll start with adult novels that focus on famous literary or artistic people from a specific time period, which to me is a separate genre of historical fiction altogether. It overlays historical context through letters, writing, and travels with an imagined sense of their interactions and relationships based on their outward personas.SixSensational

1. Fallen Beauty by Erika Robuck: A dangerous intersection of two women’s lives, an “average woman” and Edna St. Vincent Millay

2. The Paris Wife by Paula McLain: Who was Ernest Hemingway to his second wife, Hadley?

3. Mary Coin by Marisa Silver: The mysterious tale of the woman behind Dorthea Lange’s most famous Depression-era photograph

4. Call Me Zelda by Erika Robuck: The poisonous relationship between the Fitzgerald’s and the impact of this on Anna, Zelda’s nurse struggling with her own history

5. Hideous Love: The Story of the Girl Who Wrote Frankenstein by Stephanie Hemphill: The most evocative and succinct title that only hints at the deeper story

6.  I Always Loved You by Robin Oliveira: Cassat needing to overcome the choice that it’s either her art or her love with Edgar Degas

 
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Posted by on May 17, 2015 in Miscellaneous

 

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Sucked In

It’s rare that I see a movie after loving the book and enjoy, if not fantasize, about it afterward.

Of course, there are also movies I will never watch, just on the principle that it’s a favorite book (ahem, The LovVirginSuicidesely Bones), but I was recently flipping through the channels while doing a bit of work and stumbled upon, then became completely entranced in the Sophia Coppola adaption of Jeffrey Eugenides’ The Virgin Suicides. Hands-down an all-time favorite book and hands-down, my favorite movie adaptation.

She was so true to the tone and feel of the story that I’m instantly sucked in (along with the music and casting) that made my buy the CD immediately too. And he (Eugenides) well, he’s a magic man.

 
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Posted by on May 12, 2015 in Miscellaneous

 

A Love of All Things Nonfiction

A whole other world opened up a few years ago when I started reading some of the exceptionally written young adult nonfiction that was out there, everything from people and issues of the Civil Rights Movement to unsung heroes of World War II and so much more. From there, I started reading and seeking out more nonfiction that make me think or feed my mind. Here are two of my favorites, one recent and one not-so-recent but both exceedingly well-researched as evidenced by the amount of information pouring from their pages.

CultureCrashCulture Crash: The Killing of the Creative Class by Timberg takes the viewpoint that the creative class of people: artists, musicians, writers, innovators are being killed-off because of cultural shifts like the death of the stores/store clerk and libraries/librarians who disseminate culture from their workplaces. The dawn of the internet has poked holes especially in the music industry and how journalists make money. The change in guard from the old writers and poets who collaborated on the doorsteps of colleges and carried the torch. The food for thought explodes in each chapter where he name drops constantly, demonstrating his vast knowledge and making me bookmark plenty of pages to go back and re-read.

The second is A Natural History of the Senses by Ackerman that exudes beauty and precisionNaturalHistoryofSenses in its organization. I joke that if I remember even ten percent of what’s within these pages, I would be a hoot at a cocktail party! Each chapter is chosen to highlight each of the five senses and discusses anything that may relate like an odd disease associated with the sense, a scientific shift or research studies about the importance of one, observations about them, and more savory details that the average person couldn’t possibly know. She’s a true professor of sharing this knowledge with the average reader, which is why it’s understandable that it was a national bestseller.

 
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Posted by on April 21, 2015 in Miscellaneous