Whenever I’ve read something or a few somethings, I will usually throw up a sticky note on my computer, give it a working title for a future blog post and wait until the inspiration strikes to write it. I’m ready to write from my working title “emotional roller coasters” and talk about three titles I’d read recently that unequivocally fall under this heading: Nikki Grimes’ Ordinary Hazards, A.J. Dungo’s In Waves, and Jenni Hendriks and Ted Caplan’s Unpregnant.
First, the fictional Unpregnant. What more can you ask for than a book targeted toward teens talking about abortion. It isn’t often that we find books wholly centered on the topic. I think I remember Exit, Pursued by a Bear the first time that it felt really real in a contemporary YA book. And then there’s Girls on the Verge which I highly recommend. But what most people comment on after reading this book is that while it is a frustratingly painful circumstance that puts Veronica in this situation, there is a dark humor that provides the balance that not all hope is ever lost regardless of the choice made though the most memorable scene is one of sadness:
“And that was it. Dinner was no different from any other dinner we’d had. My brother went over every play he’d made in baseball that weekend. My mother shoveled more food onto our plates. My dad made noises at appropriate times to make it seem like he was participating in the conversation. They didn’t even bother to ask any more about my weekend. They weren’t interested. I was a known quantity. The good daughter. The hard worker. I should have been grateful. I was angry. They didn’t see me. If they did, they would have known something had happened. Instead they only saw the pieces I was made of. A question already answered.”
Then there’s Ordinary Hazards, Grimes’ memoir of a few years of her childhood struggling with her mother’s alcoholism and paranoid schizophrenia and her father’s intermittent absence which led to a childhood in the foster care system. But the biggest takeaway is the strength of memoir as a genre. Grimes explains memoir and really helps readers turn themselves into writers by showcasing that everyone has a story however joyous or heartbreaking. In addition, her choice to use verse is a touchstone text on its exemplary use in form, function, and lyricism.
Then last, is a graphic novel (I didn’t mean to represent two genres and a format under one umbrella of emotional stories but this is why books are amazing). It’s In Waves. I read this on my lunch at work about a month ago and was glad I was eating alone. Because I cried. Dungo’s tribute to his partner before her passing and while she was undergoing treatment shines in his visual choices in line, color, and symbolism. He also effortlessly weaves in a more factual story of the history of surfing yet it never once takes away from the roller coaster of his relationship as it weathered the storm of illness.
As everyone’s emotions are on similar roller coasters all across the world, I thought I would share three books that provide mirrors to the same mountains and valleys we’re feeling.
Fat Tuesday is also Paczki Day. Paczkis are Polish doughnuts usually with jelly filling and rolled in either powdered sugar or granulated sugar. They’re made on Fat Tuesday in preparation for the Lenten season’s austerity. This past Monday, I homemade them and was excited to share them with my family, colleagues, and neighbors who all know my love for baking.
Romance is not a category of fiction that I seek out regularly. But give me a good romance on the small screen like Netflix has done with Jenny Han’s book series and I’m sold.
Marie Lu’s Rebel, the fourth book in the Legend world that takes place in the future in which Daniel’s brother, Eden, is attending university in Antarctica where they’ve settled while June is still working in the Republic. The story, like Lu’s others, have two narrators that are differentiated by the text color as they pace the book out with the developing conflict as it switches fluidly back and forth. The world she creates is superb and the futuristic action is heart-pounding.
Monica Hesse’s yet-to-be-released They Went Left that’s anticipated for an April release. Not only have I read Hesse’s other YA historical fiction titles, but her adult nonfiction book American Fire. All showcase her skillful writing. This one fits in a newer focus of YA books on the liberation of Jews after World War II like the Morris finalist from last year, What The Night Sings by Vesper Stemper. Hesse dives into this world with Zofia, who has lost most of her family but still holds out hope that her younger brother Abek has survived. Shifting to several places before settling into a relocation camp where she meets a brooding boy, Josef, she is reunited with Abek but questions about what both boys have been through since the war broke out provide the riveting content of the book’s second half. Put this at the top of your list for April.
Here were some of my favorites to discuss:
What works well for the series is the chronological organization of biographical information that is equal parts intrigue and straight facts. There’s a humanity in Kanefield’s delivery that does not dilute the truth, yet weaves a story of a person hellbent on creating an America that they had envisioned as they rose to notoriety.fame. With a mix of photographs and eye-catching covers, they’re as star-spangled as the flag.
Readers Be Advised 