Coming in 2017 is a beauty that re-imagines Romeo and Juliet as Ronit and Jamil. Ronit is an Israeli girl and Jamil is a Palestinian boy whose fate is determined by their families, not by free will, until it isn’t any more and they fight their way to each other. The lovely cover art tells this story.
Memorable character: Clearly you cannot separate our two main characters who are fighting passionately for one another when all others would tell them to quit. They both speak eloquently through Laskin’s gorgeous poetry, told alternately between the two.
Memorable scene: How can it not be the ending? Will they make it or won’t they make it? The conversations around what is, what could be, and what every reader hopes will happen make it just as complex as Shakespeare’s play. But what kind of blogger would I be if I spoiled it?
Memorable quote: There were so many I highlighted as I read the advance copy via Netgalley but this one showcases the connection Ronit and Jamil feel for one another and that the richness of Laskin’s language, the maturity of the characters, and the electricity of their political, familial, and religious situation is not PG. “My head says / this is dangerous territory, / yet each night / the cloud of my pillow / takes us to a place / where your eyes and mouth / invite me / for supper, / so I stay / not away / my sister / friend / lover”.
Just as any reboot has done from Walter Dean Myers’ Street Love to Sharon Draper’s Romiette and Julio, it’s advised to add several copies both to compile read-alikes to Shakespeare’s plays but also to add diversity to experiences as this does.
uicide because his post-traumatic stress overruns his mental health. Pierrot then loses his mother and after a short jaunt at a uniquely caring orphanage run by two sisters, Aunt Beatrix brings him to her place of employment, one of Hitler’s homes at the top of the mountain. Here she encourages him to change his French ways and cut off contact with his Jewish childhood friend to befriend her boss, Adolf Hitler. And befriend he does, leading to a visceral change: “It was Pierrot who had climbed out of bed that morning, but it was Pieter who returned to it now before falling soundly asleep.” This haunting sentence sets readers up for the heartbreak that Pieter will dispense at the hands of other employees at the home and even with a girl he says he cares for.
I usually have to distance myself by a day or two after finishing an amazing book and truly being able to write about it. Haven’t we all been there where we close a book and stare at the cover thinking about all the ways we were moved by it and how it will affect our world view? Monica Hesse’s Girl in the Blue Coat is one of those books. You can

where the girls fight mythical beings and dinosaurs while earning their badges and being their awesome selves where “friendship to the max” is celebrated. And because the illustrations and coloring is equally as formidable as the writing and character development, it has lasting power. The design of the issue is static with an introduction of the badge the girls will be earning overlaid with scrapbook-style pictures of the girls’ adventures before the action begins. This repetition is comfortable before you buckle up for the ride.
