
A heroine with a deadline. I can definitely relate since I’m recovering from an extremely busy October where I took hold of the motto that you’ve got three choices: give in, give up, or give it all you’ve got. I got through October and Mara needs to figure out who is killing her friends and fellow freeks from the traveling circus that has been her and her mother’s livelihood. They’ve settled in Caudry and at an innocent party, Mara meets Gabe and things change.
Memorable character: For me it was Mara, a girl on a tight timeline to be able to get a hold of her powers in order to save those that she loves.What’s more endearing.
Memorable scene: Really it was the entire atmosphere of the story, not a particular scene that drives Freeks. With the resurgence of the 80s, especially after the release of season one of Stranger Things coupled with American Horror Story doing a sideshow-themed season a few years back, this is a time and ambiance that readers want to go back to. For teen readers it’s to understand and learn, for adult readers of YA, a time to reminisce. Hocking works the setting into each situation that vividly captures the imagination.
Memorable quote: It’s also this carnival world that endears readers and fears for the freeks’ lives. And who better to sum up the desperate need to catch this predator than Gideon, who also selflessly expresses why readers want to see Mara succeed when they hatch a plot to kill it. “A creature like this doesn’t just go away. We can’t run from it, and even if we can, that only means that it will harm others. I’ve spent my entire adult life trying to protect those that society forgot or threw away. I can’t just leave this thing running loose to kill anything it wants.”
Boy, don’t you hope that with as little carnage as possible they catch this beast and put an end to the suffering? With romantic overtones that provide some necessary distraction, the book is a story about family: a family that travels in a circus together and wants to live and co-exist, love and laugh like everyone else.
This is advised for lovers of carnival culture, readers that have enjoyed Hockings’ other series that include Watersong and Trylle, and anyone who roots for the heroine to come out on top even when the *ahem* cards are stacked against her.
Memorable character: Unequivocally Paige. She is the star of the show and the title character and it wouldn’t be the book about her battle with herself, being in her head, being her every single moment of every single day. Her emotions pour out on the page through the skilled hand of Gulledge to create pages like the ones included through this post. She’s someone who is growing and maturing and reflecting, even when it’s difficult. See all of her huddled around her head? (Don’t mind all of the post-it’s sticking out of the side. We’ll get to some of the others in a moment…
“notice me” in her eyes when she happened upon her love interest. Everyone who has begun to fall in love has felt this way, yes? The perfect marriage of creativity and empathy for Paige.
Gulledge succinctly interweaves this fear when she’s holding her heart in her hands hoping not to step on the hundreds of banana peels that litter the floor.
Memorable character: Clearly you cannot separate our two main characters who are fighting passionately for one another when all others would tell them to quit. They both speak eloquently through Laskin’s gorgeous poetry, told alternately between the two.
I usually have to distance myself by a day or two after finishing an amazing book and truly being able to write about it. Haven’t we all been there where we close a book and stare at the cover thinking about all the ways we were moved by it and how it will affect our world view? Monica Hesse’s Girl in the Blue Coat is one of those books. You can
