This post originally appeared on the Books Blog for the Times Union
The art of the booktalk. When a friend asks you about the book you’re reading or you’re sharing a recent fabulous read, how do you approach it? Do you ask a question? Perhaps have a pre-planned teaser or maybe you’d rather share an overview. Sometimes I’m so blinded by the emotion of absolutely loving a book that I clutch the book to my chest and whisper I love this book and then just hope that someone will take my word for it. Luckily I’ve got some street cred with this approach.
But, I was thinking about the art of the booktalk after spending two days in classrooms talking to tenth graders about choosing a classic book to read for their fourth quarter project. I had a lot of ground to cover and not all of the books I had read. Yet that is nothing new because I booktalk frequently on topics that I may only know slightly and I am a firm believer that you can booktalk a book you haven’t read. I organized the books into categories that helped channel the number that I was talking about and then prepared my cheat sheet (things like publication date, title characters, main ideas, themes or topics, or a relevant current topic that paired nicely). And while this is necessary, I generally don’t use it as much as occasionally reference it since Benjamin Franklin put it best when he said
“By failing to prepare, you are preparing to fail.”
It’s there if I need it, but the preparation solidifies my approach and then I don’t actually need it. Especially when I capitalize on others in the room who may have loved one of the books and ask them to share. When I talk about a book I may ask a hypothetical question or have a one-liner that intrigues someone, saying little more. And I learn from others. I facilitate a book group of local school librarians and everyone has a slightly different approach, all valuable in their own way. There are some I could listen to all day myself, admiring their vocabulary and word choice. I aspire to be better after each delivery and rework it until I hit booktalk gold. We only get better with practice.
So not only am I constantly honing my booktalking skills based on my audience, I also realized I have a lot of classic literature to read (or reread to refresh my memory). Maybe I can make this a monthly post to review a classic book as a way to kickstart this exploration. Which would you start with?
The first thing I did after finishing Goodbye Days at 5am was plot how to connect with Jeffrey Zentner so that we can arrange a school visit for next year. Yes, Goodbye Days was that good. And after staying up past my bedtime months ago to read The Serpent King, it was apparent that Zentner is a skilled author that focuses his creativity on character-driven novels that speak to readers on a deeper level. This is the case with his newest, Goodbye Days where Carver feels like he has blood on his hands after texting his friends as they drove in a car, knowing that they’d likely text back while driving said car, and were killed when they crashed with a half-written text in the queue of the phone. In an instant, Carver lost his three best friends, the Sauce Crew.

I am kind of obsessed with Elana K. Arnold. I first read Infandous and was enamored with the creativity and depth of the characters. More importantly, though was how the story was told. I had a few readers at the time for it who loved it as much as I did and that added to its appeal. Then, I downloaded What Girls Are Made Of from Netgalley and realized that Arnold is a masterful storyteller. Both books are similar in delivery with essentially two stories woven together and focused on a notable relationship between a mother and daughter with a varied cast of secondary characters and situations to make them distinct.
Memorable character: Unequivocally Paige. She is the star of the show and the title character and it wouldn’t be the book about her battle with herself, being in her head, being her every single moment of every single day. Her emotions pour out on the page through the skilled hand of Gulledge to create pages like the ones included through this post. She’s someone who is growing and maturing and reflecting, even when it’s difficult. See all of her huddled around her head? (Don’t mind all of the post-it’s sticking out of the side. We’ll get to some of the others in a moment…
“notice me” in her eyes when she happened upon her love interest. Everyone who has begun to fall in love has felt this way, yes? The perfect marriage of creativity and empathy for Paige.
Gulledge succinctly interweaves this fear when she’s holding her heart in her hands hoping not to step on the hundreds of banana peels that litter the floor.

Memorable character: Clearly you cannot separate our two main characters who are fighting passionately for one another when all others would tell them to quit. They both speak eloquently through Laskin’s gorgeous poetry, told alternately between the two.
