There’s something about reading a beautifully-crafted and lyrical children’s book that instantly reminds you of the classics like Charlotte’s Web, Tuck Everlasting, Peter Pan, and James and the Giant Peach. Lauren Wolk’s Wolf Hollow will become a contemporary classic if I have any say.
Annabelle has tried to befriend Betty, a new girl living with her grandparents in their Pennsylvania town, but it’s difficult. Betty wants Annabelle to bring her things or she’ll beat her. And Betty does in addition to terrorizing a friend of Annabelle’s and a younger brother. But the absolute worst occurs when Betty begins blaming an innocent military veteran who lives on the outskirts of town. And mild hysteria comparative to a witch hunt ensues. Yet Annabelle knows the truth and is able to spend time with Toby, the veteran and neighbor, hearing stories about his life so moving that Annabelle’s confession to readers is that “I held very still and waited, trying not to hear it all, hoping, even at just eleven, almost twelve, that I would never have sons of my own.”
Tragedy is at the very root of the book in powerful scenes that transcend readership and touch on society’s reactions to marginalized individuals, but also what the power of kindness can do to overcome these baseless conclusions.
It should be on everyone’s reading list from children that is the intended audience to adults since they can connect instantly with Annabelle’s upbringing and Toby’s post traumatic stress. Yet one of the best elements is its resolution: messy, aggressive, powerful, and for most readers unsatisfactory in that while there is some hope, a lot was lost in the process. This ending is my kind of ending.
The premise is that Amanda is going to live with her father after a beating in a mall bathroom in the town where she currently lives with her mother. Thinking that Amanda can start fresh in a new place, the obstacles of truly being accepted by her father and then being a girl in a new school are enough to wreck her nerves. But, things are settling in well and Grant, a kind-hearted boy, has already taken an interest in her. And while she wants to tell Grant about her being born a boy, his insistence that he’s not interested in any “secret” puts Amanda at ease. For the first time, allowing herself to truly enjoy being herself, though she has told another girl she befriended at school.

ole focus of the story with a weak storyline for the sake of having a GLBTQ character, newer fiction is going deeper. The stories are mysteries and fantasy and science fiction with characters that are GLBTQ. And that’s exactly what you get in Look Past.
aracter is tween/teen and dealing with life. The realistic, down-to-earth kind of story that makes it an “every person” book, not for a specific subset of readers. In addition, like the other graphic novels’ illustrations, I am on board with the vivid coloring and rounded illustrations that are in stark contrast to darkly explored stories in black and white.
agoraphobia, Whaley focuses as much on Solomon’s life functioning indoors after an anxiety attack pushed him over the end and he became “that kid” who took off most of his clothes and went into the school’s water fountain. The debilitating mental illness keeps him inside, going to school online and entertaining himself with books and Star Trek. His parents are in tact. And now he is befriended by a former classmate, Lisa, who has an ulterior motive along with befriending Solomon.
