Last weekend was a long weekend due to the Martin Luther King, Jr. holiday and I had cleared my calendar for Monday specifically to spend the day with one of the best writers and uncoverers of hidden history, Ruta Sepetys, by way of her new book, A Fortune of Sand which is due out in June. This will be her first official book for adults. That was the cherry on top of the sundae. Preceding that was Katie Bernet’s Beth is Dead, a young adult thriller twisted from Alcott’s classic Little Women; consider that the whipped cream and nuts of the sundae. And immediately before that, I finished the audiobook From Scratch by Tembi Locke. Heavily focused on food, I’d call that the ice cream and marshmallow topping (I’m not a hot fudge fan) from the perfect sundae that was my weekend threepeat. Allow me to elaborate on each book that led to my divine reading weekend.

Tembi Locke narrates her memoir. When it’s personal, it should always be narrated by the writer and because so much of the book focuses on Italian and Sicilian culture in addition to her being raised in the United States, it makes the most sense to have someone capable of navigating the languages and do is seamlessly. It’s uplifting only in that Locke looks at her time with her husband as magic even as he lay dying and she realizes she would have to parent alone but that she would have supports to bolster her when she didn’t think she could do it herself. She discusses his Sicilian roots and how he spoke to her through food and affection. For readers of food memoir, this should not be missed. It’s also a mix of romance, family, and grief. Silently moved in parts, I didn’t realize I was crying until the tears fell down my face.
I’ll start with the cover: to die for. It matches the thriller slasher vibes of most YA that has overtaken the shelves these last few years. With that, it’s hard to make them unique at this point but Bernet did it, ironically, by retelling the classic Little Women. What sets this apart is the intensity- it’s a full speed car crash that doesn’t let up for 400 pages and it’s hard to keep anyone’s attention for that long but I was glued to my couch, tea in hand, reading until the end. No doubt others will feel the same way and I’m going to make a comparison here; Tiffany D. Jackson’s The Weight of Blood is heavily recommended and has made readers again out of a teens that I give it to. And they’re choosing Stephen King’s Carrie immediately after. This could be similar as I would assume many won’t come to Beth Is Dead having already read Little Women. As someone who had both the book AND the 1994 Gillian Anderson movie to draw from to read as an adult, there’s a deeper layer of respect for what Bernet pulls off.


Women is a theme I’m realizing as well to my threepeat. Female authors, female stories and Sepetys’ first adult book is among those. She pulls from the Detroit of the 1920s, but also the framework that women should often be seen and not heard because if they are vocal, there’s real danger they’d be sent away by their husbands. With that, readers meet Marjorie, the twenty-something daughter of an industrious family making their money in the auto industry and follow her through a period of creativity, self-discovery, and retribution. This arc is intense. And Sepetys’ writing is rich and sharp. I felt like I had lived Marjorie’s life because of the immersive storytelling which is more apt because of Sepetys skill in mining hidden history and her own background in Detroit. The setting, characters, and conflict came alive and could it be a Gatsby-esque cinematic sensation? It read like one for sure.
It really couldn’t get any better than that. They were hard to top and three in a row feels like winning the reading lottery. What’s been your longest streak of starred reads?

